The film tells the story of the events after the Avengers: Endgame. Everywhere was Tony Stark because Peter was incredibly respected and loved him. Naturally, it is normal that Tony Stark's absence is brought to our eyes throughout the film. Even at the first opening of the film, the losses of the Avengers are shown and there is a pleasant sympathy. Peter's loss of his mentor affects his powers, leading him to difficult times. The film successfully manages to reflect this trauma. You're experiencing Peter's pain exactly. After many people disappeared for five years because of Thanos, the world is naturally in recovery. While some people have not aged in any way, some have lost five years of their lives. Far From Home reflects the line between comic book seriousness and comedy action mix very well. The fact that the action scenes are more than the first movie certainly does not bother. Adorned with stunning details, the action scenes look quite impressive, especially when you taste 3D and IMAX. The film offers an incredibly fun and visual feast. MCU films often go fast and are hard to follow, but director Jon Watts has done everything he can to get the important scenes for the audience to enjoy the movie. You will be happy to see faces smelling nostalgia for a few seconds. On the other hand, dress designs and especially the new costume of Spider-Man seem quite successful, of course it is impossible to overlook Mysterio's charisma. Even for audiences who do not master the MCU universe, Far From Home is a surprisingly emotional film. On the other hand, it's like a huge group therapy session for MCU fans.
Far From Home has succeeded to be one of the successful examples of its kind. The line between action and grief is well preserved. Of course, if you're following the MCU universe, you won't miss out on unreasonable details. Finally, the film has two different endings. Obviously, after watching the first end, I wonder where they will tie the third Spider-Man movie and how they can get rid of such chaos. Ahmet Kozan
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This production, which has been very popular since the introduction process, made an ambitious introduction to Netflix. When They See Us aims to tell an impressive story that has shaken the audience deeply. The series focuses on the "Central Park Five" incident in 1989. Since many people are aware of this tragic event thanks to this series, the mission that the series takes on is very important. Five blackish youths are unfairly accused of rape in Central Park in 1989. The series, which tells the struggle of these five young people against justice, dates from 1989 to 2002. The series, which reveals a flutter that touches the heart, is not only important because it is based on reality, but also has inferences that shed light on today. When They See Us is very successful in reflecting the tension and drama of young people's struggle for justification. The main reason why emotions are well reflected is the excellent acting performances in the series. Accurate actor preferences help to better reflect the screenplay with an impressive fiction. Episodes ranging from 60 to 80 minutes allow the 23-year process to be followed step by step. A successful cinematography has been applied to ensure that this tense atmosphere is supported visually. Apart from the main characters, there are also successful names in episodes of the series. The series, which has a crowded staff, is becoming one of the productions to be watched thanks to this collective success. When They See Us reflects a successful example of a genre not so common in Netflix. To see the reflections of a true-life event with its different dimensions in today's world will give the viewers a new perspective. An excellent option for those who want a quality drama.
Ahmet Kozan We are faced with an incredibly creative anthology of 18 different stories ranging from an immense variety of animation designs, cinematography, music-sound use, and transhumanism to cyber punk, from robotics to artificial intelligence, from the life of others to anti-militarism: Love, Death & Robots. The series has no desire to warn you about technology, to frighten you about the future, nor to give the message of how bad the policy is. The only thing to say is to impress you and make you have pleasant moments. In this sense, the diversity of the stories told is another subject of praise. In one episode, we see the cage fights of the monsters controlled by brainwaves, while in the other part we see the fun-filled moments of the three robots who visit a post-apocalyptic world. There is no connection between these chapters, except that it is extremely enjoyable to watch almost all of them. It was obvious from the trailer that we would be watching interesting things, but I didn't expect that much. The taste of each episode remained in my palate. Death, Love & Robots show the end point of the animation. Cyberpunk, love, death, technology, apocalyptic, a variety of topics such as space is told. So each viewer can find something in the series. There were criticisms of sexism and violence, but I didn't encounter such a problem. Episode lengths range from six to seventeen minutes. Although it is a little short, you can understand the quality when you watch. I guess it wouldn't be an exaggeration to say that Love, Death & Robots have a very high-level animation series.
Ahmet Kozan We left behind a year in which the fans had been waiting a long time, ran from theories to theories, brainstormed and all expectations were destroyed in the 8th season. At some point, I can almost say that I was almost happy to say the series is over. I didn't expect Daenerys to live on the series. I never waited. At one point the story of Daenerys would end in death. The only question for me is who would kill Daenerys. Obviously everything was very quick. Dany couldn't even find a chance to sit on the throne. They had to kill Dany in 78 minutes and bind the story and divide the kingdom. The person who did this was Jon Snow. One of the saddest scenes in the episode was Drogon's reaction. I didn't expect a gigantic dragon to take the lead in an emotional scene. The scene I was most impressed with in the 8th season was the screams of a dragon. Think of the rest. Drogon's destruction of the throne showed that Jon would not sit on the throne. With the destruction of the Iron Throne, a symbol becomes a date. While it seems that Sansa was initially eager to announce Jon's true identity, Jon Snow is now being sent to the Wall before he regains his true identity. We believe this remains confidential, as no family has been given any clues to Jon's true identity. The fact that there is still a Wall is another matter. We think they have decided to use the wall as some kind of prison for those who commit unforgivable crimes. Of course, the scene where Jon killed Daenerys is among those who are not convincing. We've overstepped the very weak dialogues, Jon's "I'm dying of your love, but I have to" attitude seems to be a complete nonsense. Jon, who has been trying to keep his distance in the previous episode, and the Dany affair that is still in love with him, are too complex and time-consuming. In six episodes, Jon became incredibly in love and bound, then learned that he had an aunt and tried to maintain distance, then decided to fall in love again and killed him with deep sadness. Sounds like it's so ridiculous and quick as you type. Such details kill character development. After the tragedy, the transition to scenes where everyone is happy and playful has weakened the story. The dialogues at the decision meeting, which Bran attended, was really funny and horrible. I would have preferred a finale that was left open but created a big effect. We didn't need to know what was happening to every character, that they were all happy and strong. Almost democracy was coming. I couldn't see the finale that was bittersweet. All the characters were satisfied. The creators of the series once again proved how unsuccessful they were without a source. You can see this difference in diplomatic sentences easily by opening a random episode from the first three to four seasons of the series.
Ahmet Kozan The OA left many questions to be answered behind with the first season finale and was highly appreciated by the audience. The OA's second season is quite chaotic and confusing. In the first season, all the theories that came to mind were refuted and an unexpected scenario was written. The OA, which is the most watched series at a time in Netflix, arouses your curiosity with its unexpected plot and never lets you get away with it. In the second season of the series, you understand that the first season is an impressive story in its own right, and it is a preparation for the complex concepts that will be put ahead. In the first season, we find ourselves in a more complex world while watching the life and death issues after death; multiple universe theories and when we die we wake up in one of the parallel universes. In the first season, while watching the life and death issues after death, and in the second season we find ourselves in a more complex world; multiple universe theories and when we die we wake up in one of the parallel universes. The second season brings together the universe we remembered from the first season and the universe where Prairie wakes up as Nina Azarova after being shot in the school. So the characters we know from the first season are the same but the events developed with small differences. This caused Prairie to wake up in a universe where Nina Azarova's father did not die and she was not adopted. In this universe, the main tasks of Prairie are to find Homer, in which she has come through difficult ways to integrate with Nina Azarova and to be together. The fact that the first season ended with Homer's name was a clue to us. Yes, Prairie finds Homer in this new universe, but in a completely different way: Homer is not aware of anything in this new universe. In spite of Prairie's efforts, Homer's recollection of his past life is entirely through the integration of Prairie with Nina Azarova. According to Elodie, one of the new characters in the series, the lives of Prairie, Homer and Hap are interdependent. They will find each other in whatever universe they are. This is the truth that prepares us for the third season. In the final episode, we are moving to a completely different dimension. While this dimension answers the question of what's behind the mosaic glass in the season, it also prepares us for developments in the third season. I hope that future seasons will be enriched by adding new layers.
Ahmet Kozan This universe, created without any source material, had to develop and expand itself in every new film. The same fiction can not be made for each film. We don't know if Derek Kolstad had thought that John Wick would be this big when he first created it, but when we came to the third film it seems clear how the story deepened and became beautiful. This film offers you all kinds of action. The film has a unique style of action. Any action you can think of is included in the third film. Moreover, exponentially! The enemies are increasingly jumping. As we saw in the trailer, there is even a horse escape scene. There's so much more to it. At this point, sometimes there can be a small illusion in the viewer. Only action-oriented films can be considered empty. We can say that John Wick 3 offers almost uninterrupted action for 2 hours and 10 minutes. But in doing so, it doesn't forget the story. You will learn new and very interesting details of John Wick and you will get new ideas about the functioning of the universe. Stahelski has very impressive shots.The main venues preferred for the main fights were especially appreciated. The fact that the director's vision is so blended with Keanu Reeves and other actors is very effective on the traceability of the film. Stahelski deserves great praise.
The film also brings new characters. One of them is Sofia, played by Halle Berry. Obviously the audience will love Sofia. Halle Berry has done a great job. Mark Dacascos is one of our main villains; He portrayed the character Zero in the film. Among the action films, it was both a strong story and an ambitious way of action. I think that the action-lovers will be pleasure separated from this film. Ahmet Kozan What did you do, Dany?It was really disappointing that Dany burned everyone. It was terrible to burn innocent people when the city surrendered. The process towards being the Mad Queen is very poorly processed. She was like an adolescent girl. If you're gonna own the throne, you shouldn't be like this. Power officially drove Dany out of control.
I think Drogon should sit on the throne. It worked hard, and it deserved. The King's City was very easily invaded. I expected it to be more difficult. We didn't even see the Golden Company fighting. I hope Cersei doesn't die because of the falling stones. The biggest disappointment for me is this. Because I want to see her shiver in front of the dragon. Euron was very strong in the previous episode. But he was like an idiot this episode. Tyrion and Jaime's scene was beautiful. The sensuality between them impressed me. I never understood Arya's hustle and bustle. She ran right and left, like someone who had no purpose. What was Bran doing during the whole war? I was really curious. Maybe he's watching the war from above. Visual effects may be good, but not enough to save this episode. The actors were all very bad in this episode. I think it's because of the script. The only positive thing I saw was the fight of the Hound and the Mountain. They say goodbye with a really epic scene. I respect it for the labor, but I'm disappointed. I want to erase the eighth season from my head. I think it will better to wait for the books to come out. |
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