After the first season, with the release of the second season, I finished the series in a breath. I think this is the best project of the Marvel-Netflix partnership. It is a solid series that has been achieved after the cancellation of many Marvel-Netflix joint projects. Action and blood enthusiasts will love this series. There's a lot more blood, death and action than the first season. In the second season has as much violence, blood, action and cruelty as you don't want. At this point, one of the other thanks must go to the kerography team. As you will certainly notice, we are watching episodes filled with fight and conflict scenes. The tempo is not interrupted for a moment, and each episode tries to place at least one action sequence. The Punisher's 2nd season just put Frank Castle in the chaos he deserves, and he succeeded in bringing all the minuses into a negligible situation. The season has two main villains and both are as wild as the Punisher. The fiction is also established accordingly, and our two main villains are advancing in parallel. Curtis is one of the good characters of the season. He represented the conscience side of the series very firmly. Amy is another prominent character of the season. She's under Frank's protection because she's close age to Frank's dead daughter. It's fun to see Amy with Frank. Amy is a well-designed character. Her adolescent behavior, her indiscretion, and Frank's reaction to all these things are very natural. With Jon Bernthal's great acting, we have access to the emotions of a father hidden behind a bloody face. The music uses were probably the best among the Marvel-Netflix co-productions. Too much music has been used and each one is very successful in passing the emotions of the scenario. Like Daredevil's corridor scenes, it's like we're going to look again at the Punisher's list of songs. And of course it is necessary to mention the last episode. It was one of the finest series finals for me. After many striking and emotional moments, it is impossible not to experience emotional explosion with the last scene. The Punisher role is seated on Jon Bernthal like a shirt.
We have watched an immaculate season with strong scenes of conflict, good acting, immersive fiction and fluent scenario that never falls behind its first season and even better for some of us than the first season. I hope it will be a long-term series and we will continue to watch Frank Castle. Ahmet Kozan
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“Everybody is either thinking about to shag or shagging”. Sex Education is a coming of age story about 16-year-olds, their life in high school and at home, and, most importantly about their sexual developments. The main storyline unfolds around a boy named Otis. His mom is a sexual therapist, which makes sex and everything connected with it even harder for him to talk about. Ironically, Otis, who has very little experience and feels tremendously awkward when it comes to sex and relationship, is surprisingly good at giving advice on those subjects to others. Therefore, this edgy cool girl Maeve, who is, as most would say, way out of Otis’ league recognizes his “talent” and encourages him to start a sex clinic inside school. And so that the story starts. I believe it's important to see this series. It opens a subject about sexual developments of teenagers that should not be ignored. It also shows how everybody has their problems and nobody is perfect, and that there is an explanation to everything. We can see the fact that everything happens for a reason, that everything has a start somewhere and that if we as a community help to find that start, we can also help one to get rid of their issues, feel full as a person and happy with who they are. Compared to other teen series and films found on Netflix, Sex Education may be the most substance-rich, but it lack innovative concepts and novel themes to be called a round work. So you get presented many important discussion that deal with homosexuality, family problems to far-reaching critical issues such as abortion. However, I found dealing with these conflicts often very clumsy and superficial. In many places I had wanted more depth and a more intensive handling of the individual topics. Instead, the discussions were kept to a minimum and barely picked up by the characters and packed into meaningful dialogues. Another point of criticism was the often stereotypical portrayal of many protagonists and the entire social environment shown. So it seems almost a trend to be that just standing in the corner inconspicuous boy may someday have the girl of his dreams. I do not doubt that there are such social structures or at least similar ones in every school and in almost every life of a 16 or 17-year-olds. But the creators of the series could have trusted more and to be able to present a story without the obvious presence of such clichés. There are some clichés, but it has no special effect on the whole. Even at its lamest, cliche moments, this quirky show remains quaintly entertaining. In many series or films for similar target groups, puberty, first love and first sex are often portrayed romantically and therefore often appear unrealistic. Sex education, however, shows a blunt and sincere approach and may perhaps convince one or the other viewers of this uniqueness. In terms of acting performance, Sex Education painted a picture similar to own. The individual performances were in some cases quite authentic and convincing. However, some protagonists were so over-cliched in my eyes that the performance of the actors had to suffer as well. So you may praise some protagonists for their performance, others were not particularly prominent and therefore not very credible. Although most of the time the viewer will know what the stories are all about, "Sex Education" is the first pleasant surprise of the production year. With consistent and clever ideas, playful performers and a lot of charm, this coming-of-age comedy with adult audiences should be a reliable "binge watching" candidate for many. "Sex Education" was certainly not a bad series and could also take some positive points with its open-hearted nature. Ahmet Kozan "What would you do for love?" The Lifetime series, adapted from Caroline Kepnes's book of the same name, came to Netflix on November 26 and was liked by the users. The series attracted my attention thanks to Netflix. I started watching the series without much anticipation. It was very immersive and fluent. The monologues were fine. It's nice to be told the events through Joe's voice. I think that's what keeps the series going. The series tells the story of an obsessed perverted man falling in love with a woman. When Joe first sees Beck in the bookstore, he falls in love. We are going to see Joe's interaction with Beck, which starts with a book offering, and turns into a relationship. Joe proceeds to stalk Beck on every available social media site, quickly determining that she’s the one for him. In the process, Joe is doing some amazing things. He's watching Beck's house, following every step. He goes into her house and steals her stuff, her clothes and her phone. He kills her lover, researching her friends. In doing so, he remains so calm that everything he does looks normal to the viewer. You realize you're wrong, but you don't hate Joe. Joe's problem is actually his background. His past experiences make him obsessed. Both Joe and Beck are two problematic people. "How is the relationship between two problematic people?" We find the answer to this question. Although it isn't true, Joe is doing everything for the woman he loves, Beck doing it for herself. You decide who's worse. Despite the bloody appearance, the series is not horrifying. I found acting performances in the series successful. The soundtracks of the series was good. Colors, sounds, frames - everything works correctly on the atmosphere. The atmosphere of sleep, slow and viscous. Warm tones, muffled melody. Although it is simple as subject, its immersiveness increases the traceability. If you don't watch with too much expectation, I think you'll have a good time. The series has a lot to say about our society’s addiction to social media, and the dissonance between the curated images we project of ourselves online and our authentic selves. While You offers some suspense, it also offers a distorted way of looking at Joe's criminal behavior. This series is well worth watching and will make you think about your social media account. Ahmet Kozan "The society prepares the crime, the guilty will do it." - Henry Thomas Buckle 1919, the First World War had come to an end, England had become a more desolate place in Europe, known as the post-war period. The soldiers returned from France after defeating the 3 remaining great empires. However, they could not find welcome parties or high government officials who would appreciate patriotism and encourage them with the promise of a hopeful and comfortable future where they could enjoy a rightful rest when they risked their lives for themselves. The panorama they encountered was very different, poverty spread, labor competitiveness was so top level that brave war heroes were viewed with suspicion, there was no room for them, and at least in one of the cities less warriors were sent to the front. As if this were not enough, the terrible psychological problems resulting from the military exercise itself and its subsequent consequences -loss of family members, divorces, disabilities...-, turned the streets of Birmingham into a catwalk of grieving and violent faces that threw for the first time, they surrendered to life, and they did it at home, as they had not done in front of an unknown enemy far from her. Among this sad crowd stands a man whose face gives off confidence and self-esteem. A rider on the back of a huge horse that, refusing to go unnoticed and acting treacherous and elusive like the classic villains of the western, rides a shtick of witchcraft and superstition before the watchful eye of the citizens. That man who everyone knows by his surname, Shelby, does not wear a cowboy hat either, but a beret ready to blind his opponents by strategically embedded blades that make that "peaky hat" a powerful weapon. Thomas is the leader of the Peaky Blinders that dominates the city of Birmingham. In Peaky Blinders we follow a family after the First World War that is always looking for power and money. But a policeman arriving at the city is looking to stop this family, but it's not easy. It will also be noticeable the segregated fight of ghettos like Italians, gypsies, local gangsters and Jews. Peaky Blinders is an excellent gangster drama full of rich, interesting and diverse characters. The fact that Peaky Blinders is a crime series can give the impression that characters are macho men. But this is not true. The series also incorporates many powerful female characters. It has an excellent cast and script. Thomas is a character who uses his strategic intelligence and applies violence to his own ends without hesitation. The film music is the highlight of the series along with Cillian Murphy and Tom Hardy. The director does resort to a modern soundtrack that reflects the fiction. It is estimated that one episode of the series is worth 1 million and 1.5 million Euros. This means a rich, detailed and beautiful work of art. Constantly supporting the narrative structure visually, Peaky Blinders often touches upon the working conditions of the working class in Birmingham. Peaky Blinders, with a color scale that chooses to contrast between pale blues and greens, and contrasts with the shades of red, makes the strongest manifestation of emotions in the midst of this unknown, while attributing a distinct obscurity to Birmingham's misty air. The background reflects the unique, unforgettable and nostalgic themes of London. Also, the visual effects used from time to time are quite clever. The visual effects used are also quite compatible with the historical theme of the series. Peaky Blinders makes each episode a separate action and drama. It's a breathtaking series where you can see the rise of Peaky Blinders. If you like old-fashioned crime-thriller, you'll love this series. Ahmet Kozan The second German series after Netflix's Dark series. We are witnessing the wars between the Neo-Nazis, Turkish motor gangs, drug and bet mafias in this crime series in Berlin. It is possible to see all kinds of chaos. The best player Orkan Erdem in the German national football team, who happens to be of Turkish origin, is murdered in Berlin. Even though he was married, Kurt Grimmer, one of the murder table detectives who was with his lover, coincidentally comes to the scene of accident. As soon as he finds out who the body is, he thinks he's facing a delicate situation and confiscates this circumstance. The next evening, there is Germany-Turkey football match. He thinks that the German national team, deprived of their best player, will lose the match. And he goes to make a bet. Although Kurt succeeds in convincing his superiors to keep his murder secret until the end of the match, his main goal is to prevent the Turkish national team from betting odds falling. After this incident, Neo-Nazis, Germanist Turks, Serbs, Arabs, mafia and gangs will enter each other. And we're gonna watch a big chaos. Kurt Grimmer, an old Neo-Nazi, and Erol Birkan, a gay Turkish origin German police, conduct the murder investigation together. Two dissident police officers are trying to solve the murder of Orkan Erdem. They are also after Tarik Amir and Kovac gangs. We are also witnessing the underground rap world of Berlin through side characters. Gangs, racism, drugs, bets, rigged game, discrimination, lovelessness, unfaithful spouses, dirty cops are among the topics that are criticized by the series. In the series, we see the racism against the Turks by the Neo-Nazis. I think Neo-Nazis are badly shown. Not the Turks. As it's supposed to be. They also shows the German police in the series as bad police. There is no attempt to badly shown the Turks. Yes, maybe there is racism in Germany as well as in the whole world, but I don't think they do this series to make Turks look bad. And I'm a person against racism. It is a country that has already well defined the issue of citizenship. I just look at this as a series. And in my opinion successful. The cast of the series is quite good. Turkish-born German actors are taking part in the series. All acting is fine for me. As I watched the series, the Turkish sentences I heard increased my interest.
The series started with a fast pace and continued at the same speed without slowing down. I found immersive and fluent. They show Germany's underground world and the fight between the gangs in an impressive way. Weapons, drugs, bets, gangs, women, fights, everything is in this series. As a drama, Dogs of Berlin delivers in spades. You can watch this series in one breath. Ahmet Kozan Perhaps the most complicated thing in life is the parent-child relationship... Camille, who was drunk almost every hour of the day from the moment she arrived in town, tries to repress the traumas she has experienced but she is not very successful in that regard. We understand with instant flashback scenes how emotions that Camille suppressed suddenly surfaced and she can't cope with her past. The town's suc-cessful drowning atmosphere, combined with masterful work of fiction and image management and with the convincing performance of Amy Adams, turns the series into a complete mood, so to speak. With the hypnotizing music that plays in the background while watching to the series we seem to be drunk in the Wind Gap with Camille. There are great soundtracks from Led Zeppelin to The Doors, from Bob Dylan to Johnny Cash. The scene transitions between past memories and the present are very successful. It's like the scenes are intertwined. You're not leaving the general story of the series as you watch the past memories scenes. It's very well tuned. We see that the series doesn't go on a straight timeline. The scene at the beginning of the episodes is actually the final scene. Although not in each episode, some episodes have these time shifts. In the background of the series, the words shown for 3-4 seconds may give hints about the series. At least when you watch it carefully, it makes you think. Who knows, maybe a subliminal message. You're unlikely to guess who the killer is. Because in each section you focus on different people. Ideas may change as new details emerge. So it's a little hard to guess. Something I like about this series. Because an unpredictable series is more attractive to me. I found the acting very good. I think Amy Adams deserves the Golden Globe award with this performance. She conveys her character's mood very well to the audience. You feel deeply the feelings of Camille. Amy Adams and Patricia Clarkson are really good. I found the tension between them very good. Unfortunately, it is not possible to escape from the parents we are attached to. Camille also lives this situation deeply. I guess one of the most complicated things in life is the child-parent relationship. Eliza Scanlen who plays the character Amma is very successful. Like two separate characters in the morning and night. It's like there's someone else in Amma when it's night. Of course it is necessary to open a separate parentheses to Sophia Lillis. She performed very well. Although the first episode starts with a slow pace, the next episodes are moving well. And it reflects thriller very well. The entire town, including the police, seems to be looking for the killer from a single perspective. It's like the killer is the whole town. I love watching horror movies but I can't say I'm scared most of the time. But in this series, there were a lot of scenes that creeped and disturbed me. In the series the mystery of the killer is preserved until the last moment, but in the final, the series shoots the audience in the heart with a single sentences. The series manages to leave a shocking effect on viewers with its final. Sharp Objects gave the message that it wanted to give in eight episodes. I can recommend it for those who love the psychological thriller and killer themed. Ahmet Kozan |
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Haziran 2019
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